Karooz

Been practicing art feverishly now that I can, more or less, scribble in a prone position. Nothing of /tg/ content though so I tend to restrain myself from submitting, heh. Anyone who's wasted time browsing my gallery might have noticed that I'm not one for a consistent style or look with my scribbles. I'm one of those poor folk with a genuine deficiency in attention span, and it reflects rather poorly on how I draw. I do however think that I'm having some meager success in narrowing down several varying styles. Obvious I'm a fan of Nihei's and clonemanga's high contrast look as well as some imitation animation drawing. The video I'm about to

Hello folks. If you're the type to actually read about artist's personal lives to get yer jollies then look away because I intend to explain this as vaguely as possible. Haven't submitted anything a while eh? I had a backlog of drawings I'd promised to submit while I was still waiting to make a full recovery, but the thing is that those drawings are sitting on my pc, and I'm busy crashing with a friend to avoid the coming apocalypse, so all I have is the garbage that sits on my macbook. Pretty simple situation but inconvenient none the less. On a side note: harble garble

It was alright.  I think that (like anyone who liked something before it had an animated or live action media transition) I have the usual complaints about things that were lost somewhere in the translation. One of the heaviest hitting loses would be how many things were downplayed and never really analyzed in any sort of depth. That is - the move knew how to tell a very entertaining story, but it forgot 'why' it was telling it. I'm not one of the snobs that think that a movie has to have a message, but I expect to walk away from a good story a little bit wiser for some reason or another. The comic felt like a simple enough plot at first, but